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Reviews
'Lighting designer Prema Mehta's breathtaking lighting schemes, simple, subtle,
and feeling at all times exactly right are a major ingredient of the show's
success. There's a fine combination of candles and subtly-raised stage lights
that exactly evoke the abandoned flat; and her sunrises and night-lighting
sequences are a creative delight.'
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John Parks review of 'I Live in Tribeca'
Editor of the Fringe Report |
'tricksy lighting and scattergun bursts of movement lead us to feel as if we're sharing the characters' living room, and that a night-drenched countryside really does lie outside the windows.'
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Tim Teeman's review of 'Cariad'
The Times |
'Rien n'est de trop, chaque lumiere, chaque musique, chaque personage a sa place. Il y a une sincérité dans ce theatre.'
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Review of 'Year 10', Strasbourg
Journal Premières |
'The light helped to delineate and structure'
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Georgina Harper's review of 'Dissonant'
www.ballet.co.uk |
'Simon Vinnicombe's impressive debut certainly suggests all his characters are caught up in a vicious circle of violence beyond their control. Max Key directs with a constant eye on the simmering violence. The Philip Glass music and stark lighting also add a nightmarish quality alongside more realistic scenes.'
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Colin Shearman's review of 'Year 10'
The Stage |
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